On August 27, the American media organization PBS aired on television an excellent documentary The March, which details "the compelling and dramatic story of the 1963 March on Washington,
where Dr. Martin Luther King gave his stirring 'I Have a Dream' speech". The full documentary can be viewed for free on the PBS website (I hope that is true for those outside of North America too).
I was moved to see Jawaharlal Nehru appear briefly in the documentary. He was
not mentioned by name in the narrative, but I felt he symbolically
represented so many things: the fact that mass nonviolence first
emerged not among the global core but among the periphery; that he
was bearing witness to these political struggles on behalf of
hundreds of millions of brown people who had been colonized for
centuries; that like Pres. Kennedy, he was born into immense wealth and
privilege, while the people who needed equal rights and freedom the
most were the very poor, the hungry, and the physically violated;
and that he, Pres. Kennedy, King and Bayard Rustin were
men whose lives public and private cannot be understood as somehow
separate from their sexual lives. I cannot help but think of an
Indian friend who proudly told me of Nehru's alleged affair with Edwina
Mountbatten. Perhaps in my friend's mind at that moment
Mountbatten, herself symbolic of the elite white woman's power, was
reduced into a mere object of the brown man's sexual conquest.
I
mention this because although all these men are symbols of various
kinds, and rightly so, they like Gandhi and so many other leaders
were complex, multidimensional people, as are we. Among the great
nonviolent leaders, we almost always see not preordained purity but
spiritual struggle, all-too-real failings and the attempt to harness
powerful human drives for good. We cannot understand their lives and
how they are understood by their admirers and detractors without
understanding this complexity and how they dealt with it. There is
the integrity and dignity of nonviolence that most of us aspire so
fervently for, and there is the reality of our lives, which are
typically colored by countless struggles personal and public. We
cannot conceptualize one without the other. While I often reflect on
how miraculous a life like that of Abdul
Ghaffar Khan was, at this moment I am moved to reflect that it
is a miracle that nonviolence is more often practiced by
all-too-real people whose lives are our lives too, no matter their
station in life.
Wednesday, September 04, 2013
Saturday, June 29, 2013
Parisian storm
Under brooding clouds one day in June 2007, a friend and I visited the Basilique du Sacré-Coeur de Montmartre in Paris, perched on a small hill overlooking numerous tourist shops, hawkers, musicians, hotdogs for homesick Americans, and couples kissing each other. It is a visually stunning church that is utterly different to the Notre Dame de Paris. Dignified and quiet, nuns and priests gather for wide-ranging reflection on God and the divine life. Such solemnity precludes practically everything one may want to do in a sacred space: talk, take a photograph, drink a drink, and eat a hamburger. This, at least, is what the signs at the entrance explicitly banned. There were two big African guys enforcing the regulations. They kicked out a couple of fat drunken pink-faced tourists in pastel shirts who made a mockery of the rules by taking a photo. Within moments of their small camera's flash lighting up the cavernous interior, the two enforcers descended on them and firmly escorted them to the exit.
While we were outside the Sacré-Coeur, it began to rain. Along with many others, we took cover under the entrance way at the top of the steps of the great Church. It began to rain harder, so we all moved inside the entrance way a little more. Then the wind picked up. We moved inside a little more. Then both the rain and the wind intensified. We soon realised we were in a storm. Hiding behind even one of the immense stone pillars was useless in the face of such a deluge, and as the water descended upon us, screams of laughter and fear emanated from young American and Spanish girls as the wind enthusiastically whipped the heavy drops of rain into practically every nook and cranny of the entrance way. We tried to go inside the Church but the doors were sealed shut. People cried out for the doors to open, and they opened. We all piled in, wet, cold, and with smiles of relief and joy on our faces.
While we were outside the Sacré-Coeur, it began to rain. Along with many others, we took cover under the entrance way at the top of the steps of the great Church. It began to rain harder, so we all moved inside the entrance way a little more. Then the wind picked up. We moved inside a little more. Then both the rain and the wind intensified. We soon realised we were in a storm. Hiding behind even one of the immense stone pillars was useless in the face of such a deluge, and as the water descended upon us, screams of laughter and fear emanated from young American and Spanish girls as the wind enthusiastically whipped the heavy drops of rain into practically every nook and cranny of the entrance way. We tried to go inside the Church but the doors were sealed shut. People cried out for the doors to open, and they opened. We all piled in, wet, cold, and with smiles of relief and joy on our faces.
Tuesday, June 25, 2013
Tajikistan slideshow refresh
I have re-released my Tajikistan slideshow. Much like my Iran slideshow, I redid the post-processing of the photos. The music company who publishes the accompanying song, Blue Flame Publishing / Global Flame Publishing, were generous and let me use their song without payment, which I very much appreciate.
Pamiri woman - Namadgut
Pamiri woman - Namadgut
Saturday, June 08, 2013
Iran slideshow refresh
In 2007 I published a slideshow of photos of my first trip to Iran. The slideshow was accompanied by one of Alireza Eftekhari's lovely songs. Little did I know then that it would rack up more than 100,000 page views. I received a lot of feedback from Iranians. It remains my most popular published work of any kind.
My skills in post-processing photos have improved substantially in the six years since. The software and hardware tools I use have also improved. This year I decided to redo every single photo. It was a lot of work but I think it's worth it. The color and contrast are both improved, looking more realistic. While I was at it, I swapped out a couple of weak images for better ones. Here are some before and after shots to give you an idea (old versions first):
Let me know what you think!
My skills in post-processing photos have improved substantially in the six years since. The software and hardware tools I use have also improved. This year I decided to redo every single photo. It was a lot of work but I think it's worth it. The color and contrast are both improved, looking more realistic. While I was at it, I swapped out a couple of weak images for better ones. Here are some before and after shots to give you an idea (old versions first):
Let me know what you think!
Subscribe to:
Posts (Atom)